Hear me now, ...believe me later, this puppy sings! Distortion, Preamp, Equalization, Drive, ... it does it all with authority. Steven's Technical Prowess shines here!

I am a big fan of console-preamp fuzz over fuzz faces usually, so I was hesitant when I read that the B100 is essentially a 2-transistor fuzz. I prefer the more balanced clean tones of console preamps to the trebly FF clean-up. The B100 seems to me a unique hybrid, offering a more open and dynamic fuzz compared to a FF, but with a sweeter cleanup.

Before I write anything, I just have to tell you that this is easily the loudest pedal I have ever played. Even with the volume close to zero, this pedal pushes out a ton of signal.
Super cool textured and warm overdrive from lo gain to an almost fuzzy higher gain sound. The blend knob helps out the clarity, although at higher volume knobs it’s not as noticeable as the signal pushes your amp into overdrive with the sheer volume. The rotary knob cycles though a very thorough variety of EQ settings, making it relatively easy to dial in your tone.
I prefer the Germanium end of the toggle. The other side is really nice for clean boost type sounds though.
I very useful and unique offering.

This thing is amazing. You will be very busy making lovely sounds with the one.

This thing is wild in the best way. Double Tape-T gives me that broken tape, falling-apart-at-the-edges sound I want, but it isn’t just chaos — there’s a ton of control when you sit with it. The stereo layout makes it feel bigger than a normal pedal, more like you’re shaping space instead of just adding an effect. Wet/dry is clean, easy to balance, and the character actually comes through instead of getting mushy.
The touch plates are the part that hooked me. You can play this pedal. Push it, pull it back, ride the edge of feedback, or just hover in that weird ghosty zone — it responds to touch like an instrument, not a box.
If you want predictable and polite, this isn’t it. If you want something alive that can go from subtle drift to full tape meltdown, this is the one. One of the few pedals I’d buy twice — which I kind of did, since I also have the single version. These used to be nearly impossible to get, so if you see one available, grab it while you can.

Absolutely amazing pedal, ive always imagined a making resonance itself an instrument but this pedal did that and laughably more than i imagined!!

Haven't had chance to play yet, but looks great. Quick shipping..

As a massive Beatles fan who owns a Rocky Strat, I knew I had to havce this pedal as soon as I saw the artwork. The White Album is my favorite Beatles album, and they apparently used the amp this is based on for a lot of that as well as Magical Mystery Tour.

It sounds as good as it looks! I don't really have the ear or experience to get too much into specifics around stuff like "haunting mids" or technical specs, but I will say that I can absolutely nail those Beatles tones from that era. I love the different modes on here too, the crunch mode sounds great as does the distortion. The "mid range boost" control is cool but not particularly useful in my experience - but I'm certain that it functions and sounds just like the one on the actual Vox Conqueror, so that's not the pedal's fault. The build quality is fantastic too.

I've held out on getting a Dr. Robert for a long time but after how much I like this one I may not be able to resist for much longer. If you're a Beatles nut and you're wondering if Go Rocky Go delivers, I can confidently say that you'll be happy.

Well the TB sounded good in front of the 2203x, the Origin 50, and then the 6505 1992. It sits in front of the Peavey. I like pedaling the crunch channel. It's Red channel needs nothing. I use the amp as a hard rock amp. Not metal. Great mix with the crunch channel. Its articulate and sings nicely when bending notes. Great bite when I want the amp to bark or snarl. Pedal has character. Very happy with how it performs with this amp.

A compact, brutal, beautifully crafted tone machine.

Recurring takes the DNA of the old Vox Repeat Percussion and actually makes it usable in a modern setup without losing what made that circuit interesting in the first place. The core texture—the sharp, percussive pulse—stays intact, but Yesterday Effects expands the range in meaningful ways. The latching footswitch opens up a far wider sweep of rates than the original ever had, and the fact that the rate responds to expression pedals and LFO-based controllers makes it much more flexible on a board.

The real standout is the reverse sawtooth LFO. It isn’t a generic trem shape—you get that abrupt, full-signal hit and a linear decay that feels alive in a mix. It can sit as a rhythmic driver, or it can become this pulsing, semi-modular-feeling layer when you pair it with delays, reverbs, or fuzz. There’s an almost “recurrent” quality to the tone—textures that loop back on themselves, creating movement that feels endless without ever getting messy.

On its own, it gives you that classic stuttering tremolo with more control. Stacked with other pedals, it becomes a sound-design tool for building repeating, evolving patterns that feel like they’re breathing. Thoughtful update of a classic circuit, and a genuinely useful textural pedal.

The range of noises and textures you can pull out of this thing is incredible. Every twist of a knob uncovers something new and inspiring. Since the moment I unpacked it, I honestly haven’t been able to stop playing with it.

This pedal is straight-up insane in the best way. Every switch hits you with a totally different kind of chaos—fuzz, noise, weirdness, all of it. It’s loud, dirty, and ridiculously fun to mess with.

Five stars. This thing rips.

This is a terrific phaser. You can dial in great sounding classic tones and you can also get pretty far out there in cool ways. It is certainly not for the player who wants to plug it in, tweak a couple dials, and then it's off to the races. There is a lot of control here beyond the classics that you would expect including various wave forms, filter controls, expression pedal input, etc. You will want to snap photos or capture your faves in some fashion as there are no presets or MIDI. Instructions are clear, but not overly elaborative. Experimentation required!

Awesome gain device, the sliders do a ton of new things never tapped in a distortion pedal prior. Chorus is sweet too!