Truly expands upon what we expect in a small factor form. The artifakt has done of space to explore, and then on top of the pedal UI, the phone app adds tons of additional features that should be advertised more.

Another outstanding Ezhi & Aka pedal — Running for 78. Like their other designs, it leans heavily into experimentation, but in a way that stays musical and playable. The core glitch engine recreates old portable CD-player skip behavior, producing stutters, dropouts, pitch warbles, and crushed digital artifacts that feel organic rather than static. The built-in IR motion sensor and envelope follower let your playing dynamics and physical movement directly control the glitch behavior, making it incredibly performative and alive.

These pedals are fairly hard to track down, so it’s great to have a shop that carries their inventory. Really appreciate the excellent customer service and flexibility with shipping — smooth experience end to end.

Incredible pedal! Does all bit crushing sounds impeccably well. Really is it’s own instrument more than a pedal

Quiet pedal, got it at a great price, stacks well with my other pedals

If, like me, you love pedals that fuck your shit up, you’ll probably love this one. Glitchy craziness abounds—like robots short-circuiting, which, I guess, is a sound I’m partial to. Eagerly looking forward to exploring more of its possibilities…

First off, it’s a beautiful pedal.
Second, it’s an interesting and unusual overdrive that veers into fuzz settings with the gain maxed.
On the low toggle settings it has massive girth but lacks a bit of high end texture, but that’s probably just the way they designed it, not any flaw in the circuit.
On the hi toggle settings it reacts more like a traditional fuzz.
I only tried it with guitar, to truly understand what this pedal is capable of you need to use it with bass also.
This is yet another pedal you need to take your time with and do some knob twisting to fully understand.

How can one pedal have so many different sounds that sound this good??? I've always been a fan of Source Audio... but fell into the Strymon must have every pedal they produce disease... and before you know it A) I'm broke B) My pedalboard no longer has vacancy and C) I have a pedalboard cabling and power deficiency.
Some of these delays are just killer... and the controls are simple! (Try the Oil Can!)
Give this one a try - even before the other 80 functions and capabilities, this one is a keeper.

Incredible sounds, great tracking, and tons of versatility. The Source Audio C4 Synth is a powerful, inspiring pedal.

Of the few drives and dirts on my pedalboard, this one is probably going to get the most use. I was deciding between this pedal and multi-voiced distortions (ie. changing the diodes with a switch), and I'm glad I picked this one. Finding a useable tone is a lot more intuitive with the Width and Edge controls. Works very well on my JC-40, it does not depend on hitting a tube amp to sound good. Also stacks and parallels well with other drives and fx.

I’m mainly a guitar player and I have a simple synth that I use, and while I have tried all my guitar pedals with it, it’s always been a little bit of a struggle to not be adding more pedals/tweaking a ton to eliminate muddiness. With the wet knob and two eq knobs, this has solved a lot of issues for me and the distortion sounds so good! Great pedal, love everything Land Devices.

I love 29 pedals, EUNA! It cleaned up my signal chain, made everything clear, and sounds a whole lot better. I have three different pairs of the EUNA and OAMP. They're built like tanks and ready to serve wherever you need them. Get both the EUNA and OAMP, and your signal will be perfect! Worth every cent!

I love 29 pedals, OAMP! It cleaned up my signal chain, made everything clear, and sounds a whole lot better. I have three different pairs of the EUNA and OAMP. They're built like tanks and ready to serve wherever you need them. Get both the EUNA and OAMP, and your signal will be perfect!

Death by Audio Robot takes you places you didn't know you wanted to go! The lo-fi jangled mix tears you a new one while warping and making crazy arms when you want it to! A pedal for only those who are worthy!

What a crazy pedal! A destroyer of all! glitches when you least expect, stutters when you do or don't want it to. It adds a certain divine time-delay madness to your guitar, making it worth playing! Love it!

Used to think I wasn't a "tremolo person" and that I "didn't have much use for a tremolo", but then I purchased the Drolo Twin Peaks. I was inspired to purchase it after seeing a few videos of Lee Kiernan from Idles talking about it and thought it looked like a lot of fun, and boy is it. I plugged it in just to do a quick check and make sure it worked properly. Two hours later I'm lost in a sea of undulating waves of tremolo whose modulating rate keeps me both engaged and in blissful equilibrium. Obviously it's a great tool for creative and unique sounds, but it can do the standard surf rock/western tremolo thing too. I don't usually write reviews and I'm rambling, so to quickly punctuate my point so I can get back to playing with the Twin Peaks; buy the Twin Peaks pedal. It's diverse, dynamic, and literally hours of fun.